
The Faltermeyer remix that carries it is pedestrian and would have sounded so the mid-nineties. And though the 'words' (provided by Sweden's Daniel Malmedahl)* at first blush are the amusing distraction of a child full of too much fizzy drink running around a train carriage, unless you're willing to buy into the surrounding media hype (or have a fondness for obnoxiously hyperactive kids) then there's nothing else to provide a handhold of depth or context to stop that very hyperactivity becoming its own downfall as it goes about its business of grating away on the nerves. For my own part, I see 'Axel F' as just another work of Eurodance hokum, albeit one a good five years late for the party. And late for the party is exactly how I feel about it - listening to 'Axel F' is like walking late into a stand up comedy show and only catching the closing punchline that reduces the audience to raucous laughter but not knowing what came before that made it so funny. 'Axel F' certainly seems to have amused a lot of people too, but I find the whole thing so insipidly uninspiring that I have no notion that I'm 'missing' anything and no desire to find out for sure either way.
* Comedian Fogwell Flax was doing this routine back in the eighties. Now he was funny.
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